I picked "Chrono de Se" to go with "Beyond the Fields You Know" because they're both the closest I've ever come to writing horror (on purpose, anyway.) I decided not to include it because while it has some nice imagery and a modestly clever idea, a SFnal twist on a contemporary phenomenon that I haven't seen done elsewhere, it didn't quite manage to walk the fine line between being too obvious and too obscure. There's also not a lot of character here, which may be less of a problem for a short horror piece than it would be otherwise but still led to me deciding to leave it in the trunk.
But hey, what do I know? Judge for yourself.
(By the way, for those who care about such things, this is a sort-of prequel to "Outside Chance.")
"Chrono de Se"
Jeff
swam in nothingness, cradled on all sides by the dark. He reached a hand out
and somehow felt soft grass; looking around he saw a double-image of a garden,
flowering shrubs and trees. It was not real, he knew, but only the product of
his imagination. Here, where nothing existed, he could summon whatever reality
he chose, or simply sink into the balm of sweet nothingness, safe beyond all
harm.
He
did not know what he had done to deserve this. Had he, after so much searching,
achieved some kind of enlightenment? Or was his whole life before -- his
parents, his flight from the path they had laid out for him, all his travels --
an illusion that had finally faded to reveal the truth?
Suddenly
the darkness cracked: a fierce light burst in, small at first but expanding to
fill the universe. He was cold now, and wet. Something was pulling him towards
the light, rough hands laying him coughing and choking out on the grass. The
unfamiliar sunlight burned his eyes, and he blinked away the hazy ghosts that
filled his vision. After a few moments they resolved themselves into the face
of an old man, his long beard white against his dark skin.
"Rest,"
the old man said. He was squatting on his heels next to Jeff, holding out a
china cup so fine the sunlight glowed amber through it. "Drink this, and
rest. You have had a great loss."
Jeff
took the cup carefully, drank the cool tea inside. "Was I
dead?" he croaked.
The
old man smiled kindly, shook his head. "The paradise is not to be found
there," he said. "What you have tasted is oblivion, true nothingness,
and it is not to be reached through death."
Trying
to sit up, Jeff felt his balance shift, and he reached out a hand to stop his
fall. His vision had cleared, but his head still felt fuzzy, as though he were
in the moments between being asleep and awake. "I -- why did I have to
leave it?"
The
old man stood, reached out a hand to help Jeff to his feet. "Because I
wished it," he said. "You are not ready to stay there yet -- but I
will show you the way."
Jeff
smiled at the warmth of the old man's hand. He could now see he was in a small,
simple garden twined through with gravel paths. His mind was still fuzzy, but
memory of the void drew him like a buoy at sea. "What do I have to do?
What do I have to become?"
"Nothing,"
the old man said. "Nothing."
#
Was
it weeks that had passed, or years? Or was it only a handful of days? The sun
rose and set, Jeff knew that, but he could not manage to keep track of how many
times it did so. Any time he tried to focus his memory to a particular moment
he remembered only the hot, sharp sun of noon and the scent of ever-blooming
flowers.
On
this day he and the Old Man were walking in the garden. At the moment it seemed
like they did that every day, though Jeff could not be sure that was true.
Sometimes it seemed as though they spent every day drinking tea together, at
other times that they did nothing but share the cool smoke of the water pipe.
Always, no matter what they were doing, they would talk, the Old Man patiently
answering all of his questions.
"The
paths are here because we tend to them," the Old Man was saying. They were
standing at a crossroads in the garden, where one of the paths split off from
the one they were on. "The grass would reclaim them if our feet did not
tread them, if we did not pull it up when it left its bounds. But if we cut off
a path --" He rubbed a line across the branching path with his slippered
foot -- "we will no longer tend to it, and over time the grass will
return. It will be as though it had never been."
Jeff
nodded. "It goes back to nature. To nothing."
"All
the world is only a garden," the Old Man said, "filled with the paths
each of us treads. So long as that path exists we suffer pain. Our enemies. . .
"
He
sighed. The Old Man would often refer to their enemies, though Jeff did not
know who they might be. For that matter, he did not know who 'we' were, other
than himself and the Old Man; he sometimes thought he heard other voices, saw
fleeting shadows, but had never seen anyone else within the garden.
"Our
enemies are those who want us to suffer. They use the tools we do, but to
preserve the paths, not erase them. They are so certain that their pain is
important that they will do anything to maintain it -- and that is why you
could not remain in the paradise."
"Can I -- can we fight them?"
"Each
of us who finds the paradise strikes a blow against them."
"I'm
ready," Jeff said. "Please."
The
Old Man shook his head. "Not yet," he said. "You are not yet
ready to sacrifice everything."
Jeff
closed his eyes, was able to summon only the barest shade of the feeling he had
had in the void. "I am. I'll die if I have to."
"I
told you, death is not the door. What is your puny life worth? You must give up
everything."
"I'm
sorry, I don't understand," Jeff said. A bitter taste was in his throat,
and as he looked at the garden the sight of it was thin and watery, as though
it was mocking his memory of the paradise. "Every day you explain this to
me and I still don't get it. I feel like every day I know less than I did the
day before."
The
Old Man smiled. "That," he said, "is a beginning."
#
After
that Jeff stopped trying to count the days, stopped trying to remember whether
he was always drinking tea or always walking in the garden. When he saw the
shadows or heard the voices he did not look or listen. He did not ask any more
questions, but listened only, letting the Old Man's words wash over him,
smoothing him into glass, and every night he knew less than he had that
morning.
One
morning he awoke to find he had forgotten his name. He ran right away to the
Old Man to tell him he was ready.
"Not
yet," the Old Man said. "You have not yet forgotten your name, only
the word for your name. I can still see it floating around you like a ghost,
waiting to reclaim you."
"What
can I do?"
"I
will give you a new name, to drive that one away. You will be Adam, as Adam was
the first and last."
Adam
smiled. The name was good, it fit; it felt vaguely familiar, but he knew not to
pursue that memory. "And now?"
"Now
you must forget me," the Old Man said. "Forget everything except the
paradise, and the one thing you must do to return there."
The
Old Man sat Adam down on the grass, and whispered to him what he must do. Adam
closed his eyes, nodded slowly, and when he opened them again the Old Man was
gone. The garden was gone, too, and even the sun; pale light came from
somewhere out of sight, dimly illuminating the room in which he now stood. On
one wall stood a three-sided box, man-sized, made of metal wire. Forgetting
each step as he took it Adam walked over to the box and stepped inside.
A
moment later and he was in another darkened room. He heard the sound of someone
breathing, softly, in their sleep. His eyes, dark-adjusted, picked out a bed
nearby, a man lying in it face down. Adam stepped over to it. There was a knife
in his right hand. It had always been there.
The
man stirred, and Adam kept himself perfectly still. After a moment the man
rolled over to face Adam, still asleep. He was a young man, with dark hair and
a mustache.
A
memory was nipping at Adam's heels. He had seen that face; not in life but in a
photograph, one taken before he had been born. This face did not bear any of
the lines that came from fatherhood or responsibility, from the stress of
looking after family and country. This was the face of a man without cares.
The
memory found and banished, Adam drew his knife-blade across the man's throat.
The knife clattered to the floor; he felt the skeins of his life unravel, until
he had never been.
#SFWAPro
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